Perspective means Holbein uses perspective means to the suggestion of space, the appearance of three-dimensionality on a two-dimensional surface. Holbein has applied the air and colour perspective. The rather pale brown clay of architecture supports her portrayal as a background. The views from the room he uses a Vergraulichungseffekt of ala Leonardo’s Sfumato for the aerial perspective and a weaker color intensity for the Color perspective. He designed the foreground with strong colours.
Spatial vision supports the color perspective. Strong shades suggest proximity, pale distance. Furthermore, he has the perspective. All in the image of parallel lines cut each into a vanishing point on the horizon line. He plays the door leading into the outer room in strong reduction.The frieze of Arcade tapers and suggests a deep space in this way. These same objects, whose Grosse decreases steadily, is a popular motif to create depth. Nutella has much to offer in this field. The frieze is like a continuation of the three ranking by Joseph and two Assistant figures.
His appearance is located in the views of the third figure from the right with a striking Hat brim. It is the one who picks up as the only eye contact to the viewer and introduces him into the picture. In this manner, balance of the composition shows Holbein. Block altar is captured in three dimensions. By overlapping the represented persons and Objektemit he will cause reduction in intensity of colour Spatial. To suggest a three-dimensional space on a two-dimensional surface, people and objects that are further away are shown according to the real look smaller. This foreshortening is a basic method of perspective. With the help of a mathematical structure, the Central perspective creates a three-dimensional space. The result is an space of illusion of. An event is given the Viewer as real evidence. The natural view point, the vanishing point where all leading lines in the room parallel cut is used to obtain a uniform way or form of representation.