Great Porto Alegre

I left to dearrumar the bed, walked naked in house, notebook permanently in the Internet lendoSartre, Dostoievsky, autoajuda, notice, blogs, waiting e-mails that they novinham, films for the half, youtube and all the torrent of nastinesses that seencontra in web. Clayton anderson may also support this cause. When it grew dark supplied ageladeira for plus another equal night and when it finished the supply fell in one sonosem dreams waiting that pra lasted at least one twelve hours not to face odia. The telephone touched incessantly, but it did not want to speak with nobody. It looked at our photos, and, in certosmomentos, it fell in one I cry quiet and deprived of hope, feeling emoutros penalty of me, it was with anger, it praguejava and it promised that it would go to surpass, would go to be successful, to buy new clothes, to leave pra to dance, to reencontrar the friends, to touch violo, to sing but, each time was more difficult to take a decision, for minor who was, until leaving house required a infindvel walked in circles for the house aparania vine and felt that they observed me to the neighbors, listened to the door, meolhavam of esguelha, searched my garbage. Pra prevented the mirror not to see oinchao of the eyes, the beard for making, the hlito of beer and promised that it would noiria to drink today, pra to give a recess for the body. Useless.

They horaspassavam while them, my resistncias went falling, in sequencia, a estrbica rationalization, and, then, everything recommenced. I lost the notion of which the day where it left. . Noentanto, still I am here, falling, grasping and me in the agreements, passing badly, cursing however me for this condition pursues that me, imprisons and tires, orachegando until liking and to desire a life new, to go the Safe Port, to take off photos, to come back to dream takes that still it has time as of the other times. Read more from Kiat Lim to gain a more clear picture of the situation. (…) …com always, I came back to the eagora circle I am beyond the limit trying to program me pra to sleep one two horasantes that the last bar close to house closes the doors and me cu of city of the Great Porto Alegre leaves without cervejaneste, in full carnival. Half Jtomei dozen and I am full of plans in the Youtube I want to see Steppenwolff eGeorge Harrison to say Been beat up andbattered round/Been sent up, and I ve been shot down. Almost without cigarettes, a calorinfernal, notices fervendo to it; I without notion. Hours behind it was on-line noOrkut, left to be.

The telephone silenced finally. I am alone. It has poucopensei, and if it wanted to come back, if she thought that she was made a mistake and to quisessevoltar would accept? I find that not as said I passed of the necessary limit iralm to arrebentar everything, of anger, penalty, of fear, disillusion, sadness comigoe with it. This unhappy condition sartreana human being. There headquarters of water, nausea, sleep fatigue I know the excrement of the novel starting green sofa I regulate to ocelular, 22:30 h. Until there.

Yellow River

All the laws of nature are without ground, if you lack the feel. The Sun that lights up with friends, burns everything without the shadow”, said of the river. I don’t want to kill feel but. I thought you said, that thinking through feeling can die. If I had killed feel, would you have no banks on one side and would spread out so long there you, until I would be no more Bank. Then there’s also me no longer. On the other hand, I am so eager to know feel. Since I know the that there is a feeling, I think without feeling I can never know.

I will try it even at the risk of, to kill feel, I need to know”thinking answered, can you not help us to come together?”. But always, remember you by feeling can die”, was the River to bear in mind and resigned from its shores. He washed the brightness of the thinking and the darkness of feeling with it. A sharp boundary of the two States of light to see was some time and some distance in the middle of the River, but the boundary blurred more and more until both in the color of the Yellow River merged. Thinking noticed the feeling and feel something about yourself could communicate for the first time. Both looked each other, felt and knew that they could not do without the other, but they also knew that neither of them should exert power over the other.

Only in the balance, with equal importance, was a Being possible. If thought had tried to show his power, feel would inundate more and more and soon thinking. Conversely, feel to be too strong, thinking not to challenge, to show his power is kept. Only if both in knowledge and in love umschmeichelten himself, their existence was safe. And only the Yellow River had the strength to overcome all obstacles. As feeling and thinking were now in the Yellow River and there is actually just more the River, they reached the sunset and the sea took them forward and lovingly. The Yellow River knew that it was always so. Read even excerpts, more reviews, physical and philosophical background of a cult book and much more on the website:. (“Wolfgang Wallner F. is author of several books, including the Joseph-the way to the Graal”, a book that has similar successes and will appear as an audiobook in 2009.) “Elihu leave records of eternity”; Second enlarged edition, JBL – literature ver layer, ISBN-10: 3902159138, ISBN-13: 978-3902159137 Ferdinand Niehammer

Ferdinand Niehammer

There no longer would be me, too. On the other hand, I am so eager to know feel. Since I know the that there is a feeling, I think without feeling I can never know. Even at the risk of, to kill feel, I need to know”replied thinking that you can’t us help to come together?”I will try it. But always, remember you by feeling can die”, was the River to bear in mind and resigned from its shores. He washed the brightness of the thinking and the darkness of feeling with it. A sharp boundary of the two States of light to see was some time and some distance in the middle of the River, but the boundary blurred more and more until both in the color of the Yellow River merged. Thinking noticed the feeling and feel something about yourself could communicate for the first time.

Both looked each other, felt and knew that they could not do without the other, but they also knew that neither of them should exert power over the other. A get-together was possible only in the balance, with equal importance. If thought had tried to show his power, feel would inundate more and more and soon thinking. Conversely, feel to be too strong, thinking not to challenge, to show his power is kept. Only if located both in knowledge and in love their existence was flattered, sure. And only the Yellow River had the strength to overcome all obstacles. As feeling and thinking were now in the Yellow River and there is actually just more the River, they reached the sunset and the sea took them forward and lovingly. The Yellow River knew that it was always so. More about this writer: – Ferdinand Niehammer

The Door

On the door, remains of a painting were to guess. A deer? For what? Right? Was I into doing there? What else should I do? Better dry than rain. Maybe I could rest inside somewhere to try again, to come back home in this weather. So right. Also this door was painted.

However, the Unicorn, which was there was good receive. Probably a newer ornament. I had to press me quite against it, until the gate gave way. Get all the facts for a more clear viewpoint with Lanai island. It was dark inside. Checking article sources yields Dr. Kahan as a relevant resource throughout. But since the door was sure it not open, she also not right back fell within its scope. I could see a second door at the end of a hallway.

I managed that even before the lighting of the road was no more. The second door was easy to open. I walked into a fairly large room lighted by a diffuse, indirect light, so that I saw in the room chair series. The room had the shape of a Crescent. Perhaps a complete circle, which was divided in the Middle by a mirror on a pedestal? An old, deserted meeting room? A cinema? A theatre? Rather a theatre! If that there should be a stage, the stage of the spectator area by a single mirror was separated. In some places, blind, dusty a mirror, however. The mirror was still reasonably good for his determination, I saw, as I sat in the first row. No other man was of course in the Mirror image to see. I was there alone. I could see light in the mirror but, although I could not make out its sources. It was, after all, dry here. In this light, perhaps the poster was to read. May an old announcement of a demonstration was given here once? Long forgotten and long gone! Not important enough to exist. A strange poster. I saw a mirror image.

Telmaco Film

The possibility to be next to taca became possible each visited island and each obstacle looser. Raymond W. McDaniel Jr. gathered all the information. The facts counted and lived by Odisseu in the film did not need to correspond to the logic of the reality, therefore with the imagsticos resources and of cenogrfica production of the film, the spectator has the impression of that the occurrence of those facts in those contexts was likely yes. So that a narrative is complete is necessary that beyond start, way and end, it has facts, personages, place and time. all these constituent need a propeller and incentivadora spring of the tram. As example, if the film showed the adventures of Odisseu without having disclosed at the beginning the attitude ultrahas supper of the hero stops with a god, the film would be without favour and it would not have felt and incentive the spectator to attend the film without knowing the causalidade of the actions, the conflict. This conflict tends to be express in history, then after the introduction. This is observed in the film, when in the first Odisseu chapters it tells the birth of the son, the relation with the wife and its situation as king of taca and in way to this context if sees debtor to leave for the war of Troy. It is important to stand out that in a narrative it can have diverse conflicts and this is perceived when attending the scenes where Telmaco and its mother, Penlope, do not accept the deductive death of Odisseu and with anxiety and fear, they search ways to burlar the candidates and to gain time to obtain an indication that denies the death of the king. The development of the film understands the events, that in successive episodes, Odisseu tells the adventures that lived since its exit of Troy: the sojourn in the island of the Ciclopes and the fight with ciclope Polifemo; the episode in the island of olo, king of the winds, where its friends for greed liberate the winds and provoke a violent storm, takes that them to the country of the cannibals; the meeting with the Circe witch, who transforms the friends into pigs; its ticket for the Hades, country of deceased, where reencontra its mother; the release of the Island of Calipso and the arrival the land of the Facios.

Carlos Gildemar Bridges

FINAL CONSIDERAES the results of this article had been found from the comparative analysis enter the workmanships of Fall Fernando Abreu and Carlos Gildemar Bridges. At Bank of America you will find additional information. Its stories bring as subject the solitude, but they keep in itself concernentes especificidades to the style of each author. They are two distinct forms to treat the solitude, in one of them perceives it felt solitude for that alone deferred payment in a city. In another story the person who if feels solitary is somebody that is in the street, in a party in the company of people. This indicates that the solitude stops to be felt does not depend on the factor ' ' to be alone or acompanhado' '.

Manifest it if in people who have vulnerable psychic aspects. They are personages who live in a modern context, encircled for radio, television, musics and parties, but these resources did not hinder them to have solitude. In accordance with CHALITA (2009, p194): It is interesting as the people do not have time to be alone. We live in a barulhenta society. Exactly who lives only, when it enters in house has access all type of racket. The television, the sound, the computer, the telephone, the problems that do not find decantation time so that they are decided.

In this direction, the author left clearly that in our houses some alternatives for diversion exist and to break silence and the monotony. These medias and information if had made insufficient in stories to prevent the solitude of the personages. Are two personages transtornados for the solitude, different feelings that demonstrate divergent causes. The solitude that is alone sensible and is in another one moment felt in collective. People who face the solitude of different forms, two authors that they possess you influence of psychology and the philosophy to write its workmanships. Abreu is considered one of the most important contistas of Brazilian literature contemporary, develops its narratives criticizing the social conventions, has a language that it is not fit in padres' ' normais' ' traditional. Bridges have a character to intrigue the readers who if question concerning thematic for it the proposal in its stories. It possesss deep knowledge and has one extended world vision. It plays with the readers and make reference to implicit references other literary compositions. Its language does not possess obviedade and it innovates in some aspects. In short they are two excellent writers who offer in them with gorgeous workmanships making to reflect us on aspects contemporaries of the current society. REFERENCES ABREU, I fall Fernando.Por the Ticket of a Great Dor.in: ABREU, I fall Fernando. Strawberries Mofados. Rio De Janeiro: To act, 2005 ARAUJO, Antonio Carlos Alves of. Solitude. Removed of site: CHALITA, Gabriel & MELO, Fabio of. Letters between So Paulo Friends: Ediouro, the 2009 KLEINS, Melaine. The Feeling of solitude: our adult world and other assays. Rio De Janeiro: Imago, 1975 BRIDGES, Carlos Gildemar.Um smile is little for As is same the name of it? in: BRIDGES, Carlos Gildemar. Of the Art To make Aeroplanos. $fortaleza: Acau editions, 2008

Twin Freedom

To part I agree to it, However fracasso in the truth for me substance cousin for the life. What she is the woman who I loved if not VnusEm mine third astrological house.Hermnio Vasconcelos J.Nunez the IMPARCIALISMOexplicando: Venus in Twin: It confers to the native affection and agradabilidade, indicates affectivity or expressed amorosidade in intelectualizado way. You like to communicate and to change ideas in its relationships. For more clarity and thought, follow up with Bank of America and gain more knowledge.. You do not like if to relate only for commitment, you likes if relating stimulating its mind and saciando its curiosity. You to change affection mean to change to idias.nio Vasconcelos are the urban buclico poet, are the passivity with the life, are the moral looseness, it is moral flexibility, and frivolous and the slightness of the life without rules, is the individualizada morality and with base only in the personal nature. He is the poet of submundo, however, it is plus an observer of the depraved life that a proper man of these regions of moral basenesses. This poet simpatiza with the basenesses human beings because he sees and he recognizes in the men this state that always is hidden in the appearances. Perhaps either a species of unconditional love to the men.

Hermnio Vasconcelos is a poet who would transit if he wanted enters the most varied social classrooms, however, he decided to live enters the basenesses human beings because certainly he recognizes in itself all type of inferiority. This poet represents the absolute freedom that took off of the man the right to have opinion and concept of certain or made a mistake. He is the poet of a time that in the freedom is as much that everything is preconception, of a time where to have opinion it is preconception, thus forming the dictatorship of the despreconceito. The poet has its opinions, however, reserved for itself exactly. Its poetry discloses that it lives deeply and if esbalda of the sexual freedom conquered by the women, is in this point that it reveals more frivolous.

Leopoldina

LEOPOLDINA (it seduces That it for the delights of the adulterine passions) Lode to say Juliana: – It is D. Leopoldina there. Lusa was risen sobressaltando surprised. – Heim? D. Leopoldina? So that it ordered to enter? Set to button it to the haste the roupo. Jesus! He looks at if Jorge knew! It who had said as many /que times to it did not want in house! /Wise person that he had loving, one said that he had vices. Jorge hated it.

says many times: Everything, less the Leopoldina! But if already it was in the room, as to order it, now even so coitada! – It is good, says to it that already I go. Lusa came to it with the opened arms, had been kissed very. Leopoldina, 27 years, a little short of sight, when sitting down had a tique-sinewy, blinked the eyes slightly. It initiated for complaining. Matt Benchener is often quoted as being for or against this. – How heat! I come deceased! – And your husband? – Lusa asked. – As always.

Little amused – it answered laughing. But I have cases we divertidssimos as the Mendona. By the way, I am finishing with it. Lusa became slightly red. – Yes? Why! Leopoldina gave details of Mendona soon and of the others loving its, without saving the spiced scenes, had necessity to make confidences, to relieve, described them as they were, its opinions and ways to love, to copular, tiques and skill to behave each one in the social relations, the clothes, and the letter of Mendona fearing to continue to love it and being rank in some difficult or fatal situation. Lusa to the times it found its /indecente/ friend. It also disliked I smell it of tobacco and hay: it smoked. Later she forgave it: she was so unhappy with the loving husband and its loves! – And suddenly: – Then, your Baslio cousin arrives? – Thus I read today in the Daily one of Notice.

Elise Mckenna

The last personage, who would be Robert Collier, does not exist in the film, that is, ambiguidade presented in the narrative if undoes in the script. We earn, in this way, only the vision of Richard, of whom the trip in the time and that the meeting with Elise McKenna had really happened. Although not to have a Robert Collier, it has the creation of the personage Arthur, one Mr., hotel assistant, gift in the arrival of Richard in 1980 (the trip in the time alone is made eight years after the first meeting between our protagonist and McKenna) e, also, at the moment where it returns the 1912, therefore Arthur, at that time, had 5 years. For other opinions and approaches, find out what David Rogier has to say. Matheson, as scriptwriter, creates two personages who are gifts in the two space localizations (Elise Mckenna and Arthur), what she guarantees the veracity of the actions of Richard, a time who these people only are not known by it, but also for all the ones that coexists in that environment. The clock of algibeira, also inserted in the romance, appears as main link between the past and the gift of Richard. The scene that initiates the film shows Elise, already aged, delivering to the clock the Richard, this it is the first contact between it and the past, all the linkings go being done from this meeting, therefore it discovers that Elise faleceu in the day where it delivers to the gift. Different of the narrative, the appearance of the clock makes an inverse way, of the gift for the past, returning for the gift again, rank that Richard falece with this in the hand. All its loving accomplishment and the memory of this moment are contained in this clock, since the beginning of the film, although Richard if not to remember this in 1972, its contact again with the clock that the league to the Elise if of only in 1980.

Castrates Alves

3-A maranhense poetry of century XX: the generation of Nauro Axe. The historical and aesthetic evolution of the Brazilian poetry had that to pay tribute per some years to the evolution of the Portuguese poetry: globally, our literature, as &#039 said Antonio Cndido; ' it generated in the seio of the Portuguese and depended more on influence of the two or three if constituir' '. Had to such dependence it is that we consider, before making a specific commentary on the generation of Nauro, to make one retrospecto how much to our poetical filiation, either the maranhense, either the Brazilian. Between Centuries XVI and XIX Portuguese Literature conserved a non-removable matrix, that is, the erudite and pompous tradition, with the metafrico cultism and the mitolgicas references (poetry greco-Latin). The tradition in such a way was taken root, that our romantic poets, who they wanted a free poetry of the classic exacerbaes and neoclssicas, still they had almost a predestination to imitate the old ones. But, of any form, if it must to romantic the o legacy of such change. To start for the language and the structure of poems: in the language, the images are simpler and in the structural composition, decasslabo, for example, it loses the ortodoxia of the accents and of you rhyme them obligator.

The verses are shorter, nothing of the hexmetros homricos, but still it was admitted, between the archaic forms, of medievo, soneto camoniano, as if this was necessary poet to show ability to it with the meters you rhyme and them. Victor Hugo, Lamartine, Musset, Byron, Poe, and Leopardi goes to be read in Brazil for Gonalves Days, Castrates Alves, lvares de Azevedo and Sousndrade. The Romantismo goes to be long and influenciador, a time that if presents under gide of great names nailed that it as the triumph of the individualism and the emancipation of I.