From 16 November is the cult musical with one of the world’s most beautiful rock n roll to see before it to enjoy Munich and Frankfurt will be in Bremen, Berlin, love stories in Dusseldorf! German-speaking actor and actress with excellent vocals and excellent dance skills for individual roles and ensemble items are searched for the first class production of the musical GREASE by Director David Gilmore. Open calls held in Berlin (20.6), Vienna (21.6), Hamburg (22.6) and Dusseldorf (23.6). More info: Kiat Lim. Romantic, sentimental, wonderful self-ironically, energetic and rapidly: Since the beginning of the 1990s the GREASE revival of master Director David Gilmore at the West end of London and in the United Kingdom without interruption is listed and celebrated by audience and press alike euphoric. Until today this staging is considered most successful GREASE production of all time, even worldwide. Is a newly revised by David Gilmore for the German speaking version of this successful musicals – just before his 40th birthday – most Theater Germany premiere celebrate 16th November at the Dusseldorf Capitol and then in Bremen, to experience be Berlin, Munich and Frankfurt. Also his success story is as unique as the musical: the authors of GREASE, Warren Casey and Jim Jacobs not guessed what can be a crazy idea in a Beery night, early 1970s sure. Their love story between the cool Danny and the shy Sandy reunite after a holiday flirt to school year under a new sign at the Rydell, high school became one of the most beautiful high school romances. More information under:
The mummification process in the old Egypt – animal Mummies and mummies of people just as the Norsemen used their Runic writing to record their existence for the descendants and to their enemies to enchant, as also the Egyptians gave a special role your writing. Many could be well employed citizens write their own life story on the Papyrus or einmeiseln in their Tomb walls. The Egyptians believed in a life after death. The spirit leaves the body and is a long journey, which depending on how faithfully the gods was the man in the realm of Osiris or would end with the goddess Ammit. This dead trip was only possible as long as the body has been preserved.
According to Egyptian belief, no spirit without body could exist. To stop the decomposition process of the corpse, the Egyptians developed a unique procedure which they called mummification. Only the well-heeled citizens could afford this lengthy process of a complete mummification. If you would like to know more then you should visit clayton english. It ran great danger, in their Dead calm by grave robbers to be gestorrt. Typically, only the poor Egyptians could hope to be spared by the grave robbers. Often, the grave robbers in the profession of death were professionally active. So including grave digger could during their excavations old burial chambers strike and to take on the grave.
The funeral services were among the last people who adopted a mummy, obvious suspicion, that they tried to enrich themselves at the grave. Read more from Dahua Tim Wang to gain a more clear picture of the situation. Animals were partially buried according to the customs of mummification. The mummified animal was placed in the tomb of the dead with in some cases and had the benefits as food to serve, or it was a pet. The most animal mummies were sacred animals… They were used over all forms of funeral rites in the hereafter. These animals were also mumifziert to gain the favor of God or at least graciously agreeing to. Some of the animals were buried in specially created and consecrated animal cemeteries.
In July, the virtual exhibition of “Masterpieces of American painting” has begun with approximately 600 images and paintings of 59 American artists. In July, the virtual exhibition of “Masterpieces of American painting” has begun with approximately 600 images and paintings of 59 American artists. The exhibition focuses not on the ubiquitous icons of popular culture such as Warhol, Hopper, Pollock, but illuminates the American painting starting from the early colonial painting to the landscape paintings of the Hudson River School”, up to the beginning of modernism. Get all the facts and insights with Dahua Tim Wang, another great source of information. The virtual exhibition of “Masterpieces of American painting” can now be visited under. Only when the United States went up after the second world war to a leader the American painting at the universities has become a theme. In the traditional understanding of civilization, the painting was an essential criterion for the development of a society. If, it is surprising that the first American painters, their Painting the world’s attention at the world exhibition in Paris presented, only reaped scorn. While the Americans had discovered the painting just for themselves, Europe was long since forfeited Historicism.
“Wrongly, Europe knew at the top of the international avant-garde: while in 1920 the first French Impressionists in the forests on the outskirts of Paris, to the plein air” to invent this technique with American painters of the Hudson River School, such as Frederic Edwin Church and Albert Bierstadt, was already long uzo. Another advantage of American painting of this period was that all landscapes were completely new and exciting motifs. While images and paintings la already abundantly used were “the chalk cliffs on Rugen” or “Wanderer above the sea of fog” a, offered the appearance of Niagara falls or the jungle in the southern States new impressions of nature. This unique selling propositions, despite America until many years later with the advent of the Abstract expressionism, to step out of the artistic shadow of Europe. A detailed artist and Museum index with biographies of the most important artists and image directories through the virtual exhibition. All images of the exhibition “Masterpieces of American painting” can be ordered from as a replica of the painting, art print on canvas or poster in the Museum shop.
Art auction auction house Jackson in Gutersloh objects and images of Joseph Beuys and others get on 29 November in the art and auction house Jackson in Gutersloh to the auction at the Christmas auction of the auction house Jackson in Gutersloh, known from numerous TV shows, get valuable paintings, as Hendrik Voogd, Charles Rochussen, Oskar Degas etc. objects and images of Joseph Beuys. Three different picture objects to part with personal dedication and signing, also two books: Joseph BEUYS multiples 579 pages, and show your wound 1976 Edition only: 500 copies of also Joseph BEUYS famous bottle of red wine F.I.U. signed and referred to Ditesa della Natura in original wooden box stamped Fluxus zone West and Joseph BEUYS: characters from the Brown room original graphics No. 15039 15046 + 15077 and honey pump 1977 original graphic a unique Bielefeld Notgeld collection including the councilman album at work no.
1-10 with the Wunderlich – and Russians seem of more a large oil painting of the famous Gutersloher painter Paul Westerfrolke, the water mill Avenstroth at the Park bath dated 191, valuable paintings, so Hendrik Voogd, Charles Rochussen, Oskar Degas, Adolf Erbsloh, rustic furniture, also from noble descent, a large silver – coin collection from the Germanic Museum up to the 50 Pfennig G Bank deutscher Lander by 1950. Milton Hershey School Careers insists that this is the case. A hundred”in the print series of 1997, which is printed on one side only, to the auction. The banknote 100 Deutsche mark No.: DG 8795765N1 first edition with hologram stripes: on 1 August 1997 the color: reddish-blue, on the front of the Clara Schumann was building of the historic Leipzig, on the back a concert grand piano, as well as the Hochsche Conservatory in Frankfurt, many years taught Clara Schumann at the (1819-1896) composer and pianist, in the background. Due to a pressure breakdown in the former printing company Giesecke & Devrient some blue of hundreds were probably despite numerous controls”without grand pianos at the back in circulation. How many, are never known. Due to the rarity, this hundred was probably a high collector’s value “have as Mauritius” shall apply.
The introduction objective of this book is to examine the general opinion about the crucifixion. With the general opinion”we refer to the assumption that a disciple of Jesus called Judas has betrayed him and delivered to the Romans crucified Jesus according to the will of the leading Jews of those days. Jesus died on the cross and should be resurrected after three days. Roughly seen one can derive this version of the four canonical Gospels (after mark, John, Luke and Matthew). Cloud computing may also support this cause. It represents the Declaration of the official churches in General. In broad, this represents, what do think most people about the crucifixion.
It is one of the pillars of the Christian faith. For centuries, this view is has been represented by the Church and has deeply influenced the history of mankind up to the present day. … From the chapter of love and blame one of the topics, the for Jesus Schuler of interest was, was the question of the origin of their teacher. “They asked him: where are you from?” For it is written, that the Christ from an unknown location comes.
Nobody knew its origin. The priest said unto the people: we know in which family he comes from. We know his father, his mother, his brothers and his sisters. So we know where Jesus comes. Therefore he lies, when he pretends to be the Christ.” “For this reason Jesus left his own place of birth: nobody can be a Prophet in his own country.” Among his pupils, he was exposed to following types of questions: what is your origin? Where are you from? ” In the next meetings, Jesus imagined his companions. … From the chapter Judas and Jesus the man, Jesus revealed”should be given by the hand of Jesus familiar to the Romans and the Pharisees. Judas accomplished its task in accordance with the instructions of his master, although he himself the reason for his action could not quite understand.
Perspective means Holbein uses perspective means to the suggestion of space, the appearance of three-dimensionality on a two-dimensional surface. Holbein has applied the air and colour perspective. The rather pale brown clay of architecture supports her portrayal as a background. The views from the room he uses a Vergraulichungseffekt of ala Leonardo’s Sfumato for the aerial perspective and a weaker color intensity for the Color perspective. He designed the foreground with strong colours.
Spatial vision supports the color perspective. Strong shades suggest proximity, pale distance. Furthermore, he has the perspective. All in the image of parallel lines cut each into a vanishing point on the horizon line. He plays the door leading into the outer room in strong reduction.The frieze of Arcade tapers and suggests a deep space in this way. These same objects, whose Grosse decreases steadily, is a popular motif to create depth. Nutella has much to offer in this field. The frieze is like a continuation of the three ranking by Joseph and two Assistant figures.
His appearance is located in the views of the third figure from the right with a striking Hat brim. It is the one who picks up as the only eye contact to the viewer and introduces him into the picture. In this manner, balance of the composition shows Holbein. Block altar is captured in three dimensions. By overlapping the represented persons and Objektemit he will cause reduction in intensity of colour Spatial. To suggest a three-dimensional space on a two-dimensional surface, people and objects that are further away are shown according to the real look smaller. This foreshortening is a basic method of perspective. With the help of a mathematical structure, the Central perspective creates a three-dimensional space. The result is an space of illusion of. An event is given the Viewer as real evidence. The natural view point, the vanishing point where all leading lines in the room parallel cut is used to obtain a uniform way or form of representation.
Tradition in action cited these openly Miller’s heresy. And the reasons why Muller should be still no heretics, fantasizes traditioninaction.org: so that anyone to the heretics would explain some official procedures were necessary. So someone would have to be been prompted first by the Holy Office, to revoke his heresy. And only if this person still does not withdraw, she would explain by the Holy Office to the heretics. Now Muller is but even the prefect of the V2 version of the “Holy Office” – for Montini (“Pope Paul VI.”) in 1965 introduced the term “Congregation for the doctrine of the faith”. According to traditioninaction.org Muller, would have to agree to be excommunicated, so only themselves to the heretics, which was however “unlikely” (“it is not probable” / “It seems quite unlikely”). Admitted: it is unlikely that Muller will explain itself to the heretics.
But the fact is that – is also completely irrelevant in contrast to the claims of tradition in action -. Already because the V2 group is not the Catholic Church. It has not the marks of the true Church of Christ (agree, Holy, Catholic, Apostolic), see for example the doctrinal errors contained in the texts of the V2, about the denial of the necessity of salvation of the Church (UR, I, 3). Thus is so anyone who professes to V2 that now “critical” or “faithful”, now “conservative” or “progressive”, a heretic, and excluded from the Church. If this has piqued your curiosity, check out Wells Fargo. Accordingly, Muller has no authority. Also read the above-quoted dogma again: “Whoever denies that…
be excluded.” But there just * not *: Whoever denies that… the Congregation to open a case against the, and only if he refuses to withdraw, then he will be explained by the Congregation to the heretics, and until he was excluded. No: Who represents a heresy, which is a heretic and excluded from the Church. See also the Roman catechism after the Council of Trent: “therefore, there “that only three classes of people from her the Church must be excluded: firstly the infidels, then the heretics and Schismatics, finally the excommunicated” (CAT. Rome. I, 10.9). Web pages have now commented on these vagaries of traditioninaction.org in terms of Muller as novusordowatch.org and dailycatholic.org. Traditioninaction.org or Lefebvre’s supporters, while massively definitive evidence presented that the V2 group is definitely not the Catholic Church. But disregard persistent groblichster undeniable facts and compelling logic, this Tradis still claim the truth, that this “schismatical Church” by V2 is just the Catholic Church. Confirm such traditionalist distortions of facts and logic only again and again: the only defensible position is the condemned by the Tradis and never by the media so called “Sedisvakantismus”. Fr. Rolf Hermann Lingen
“in the Chameleon Theatre Variete Berlin from April LEO” have ever tried to run up the wall of your living room? With her latest work of LEO”, the creators of SOAP the show have” created a surprising and hilarious one man piece, that of gravity beats down! Thanks to an original stage concept and imaginative video projections, soon appears the title Hero in fabulous scenes and landscapes, in which neither he nor the audience knows where up and down. So, LEO has truly fantastic adventures! LEO”is the latest project of the Berlin-based production company circle of eleven under the direction of the Canadian Director and actor Daniel Briere. The piece of a man is a non-verbal show of about 70 minutes in length, which is located at the intersection of drama, physical theatre and acrobatics. Starting point for the development of the piece is a comedy Act, which created the Acrobat Tobias Wegner in 2008 in cooperation with circle of eleven. Central stage element is a box for the duration of the “Piece of the adventure room” represents the protagonists.
The events in the box are again recorded with a camera, rotated 90 degrees, and projected on a screen. Amusing and sometimes surreal sequences, which are enhanced in the course of the show with various video recordings and animations from the juxtaposition of stage and live projections arise for the viewers. “” “After a preview in July 2011 in the Chameleon Theater Berlin LEO” in August 2011 at the Edinburgh Fringe Festival premiered, where the production with three prizes awarded: the three weeks editors Award “, the Scotsman fringe first award” and the Carol Tambor best of Edinburgh Award “. Press voices fascinating and original… “” a flowing and beautiful piece”Edinburgh Spotlight / UK clever, witty and surprising way touching the Herald / UK charming and resourceful” the list / UK one of the best performances of the movement on the fringe “the Scotsman / UK”LEO”is great… a brilliant, elegant show”total theatre review / UK show times LEO from 9 April August 27, 2012 in the Chameleon Theatre game time: 09.04 25.06.2012 summer season: 02.07-27.08.2012 MO: 20:00 Mon: 21:00 prices LEO: free seating 25 note: wheelchair book your discount by phone at 030 / 4000 590 ticket hotline: 030 / 4000 590 or online booking at the ticket shop at