The possibility to be next to taca became possible each visited island and each obstacle looser. Raymond W. McDaniel Jr. gathered all the information. The facts counted and lived by Odisseu in the film did not need to correspond to the logic of the reality, therefore with the imagsticos resources and of cenogrfica production of the film, the spectator has the impression of that the occurrence of those facts in those contexts was likely yes. So that a narrative is complete is necessary that beyond start, way and end, it has facts, personages, place and time. all these constituent need a propeller and incentivadora spring of the tram. As example, if the film showed the adventures of Odisseu without having disclosed at the beginning the attitude ultrahas supper of the hero stops with a god, the film would be without favour and it would not have felt and incentive the spectator to attend the film without knowing the causalidade of the actions, the conflict. This conflict tends to be express in history, then after the introduction. This is observed in the film, when in the first Odisseu chapters it tells the birth of the son, the relation with the wife and its situation as king of taca and in way to this context if sees debtor to leave for the war of Troy. It is important to stand out that in a narrative it can have diverse conflicts and this is perceived when attending the scenes where Telmaco and its mother, Penlope, do not accept the deductive death of Odisseu and with anxiety and fear, they search ways to burlar the candidates and to gain time to obtain an indication that denies the death of the king. The development of the film understands the events, that in successive episodes, Odisseu tells the adventures that lived since its exit of Troy: the sojourn in the island of the Ciclopes and the fight with ciclope Polifemo; the episode in the island of olo, king of the winds, where its friends for greed liberate the winds and provoke a violent storm, takes that them to the country of the cannibals; the meeting with the Circe witch, who transforms the friends into pigs; its ticket for the Hades, country of deceased, where reencontra its mother; the release of the Island of Calipso and the arrival the land of the Facios.
FINAL CONSIDERAES the results of this article had been found from the comparative analysis enter the workmanships of Fall Fernando Abreu and Carlos Gildemar Bridges. At Bank of America you will find additional information. Its stories bring as subject the solitude, but they keep in itself concernentes especificidades to the style of each author. They are two distinct forms to treat the solitude, in one of them perceives it felt solitude for that alone deferred payment in a city. In another story the person who if feels solitary is somebody that is in the street, in a party in the company of people. This indicates that the solitude stops to be felt does not depend on the factor ' ' to be alone or acompanhado' '.
Manifest it if in people who have vulnerable psychic aspects. They are personages who live in a modern context, encircled for radio, television, musics and parties, but these resources did not hinder them to have solitude. In accordance with CHALITA (2009, p194): It is interesting as the people do not have time to be alone. We live in a barulhenta society. Exactly who lives only, when it enters in house has access all type of racket. The television, the sound, the computer, the telephone, the problems that do not find decantation time so that they are decided.
In this direction, the author left clearly that in our houses some alternatives for diversion exist and to break silence and the monotony. These medias and information if had made insufficient in stories to prevent the solitude of the personages. Are two personages transtornados for the solitude, different feelings that demonstrate divergent causes. The solitude that is alone sensible and is in another one moment felt in collective. People who face the solitude of different forms, two authors that they possess you influence of psychology and the philosophy to write its workmanships. Abreu is considered one of the most important contistas of Brazilian literature contemporary, develops its narratives criticizing the social conventions, has a language that it is not fit in padres' ' normais' ' traditional. Bridges have a character to intrigue the readers who if question concerning thematic for it the proposal in its stories. It possesss deep knowledge and has one extended world vision. It plays with the readers and make reference to implicit references other literary compositions. Its language does not possess obviedade and it innovates in some aspects. In short they are two excellent writers who offer in them with gorgeous workmanships making to reflect us on aspects contemporaries of the current society. REFERENCES ABREU, I fall Fernando.Por the Ticket of a Great Dor.in: ABREU, I fall Fernando. Strawberries Mofados. Rio De Janeiro: To act, 2005 ARAUJO, Antonio Carlos Alves of. Solitude. Removed of site: CHALITA, Gabriel & MELO, Fabio of. Letters between So Paulo Friends: Ediouro, the 2009 KLEINS, Melaine. The Feeling of solitude: our adult world and other assays. Rio De Janeiro: Imago, 1975 BRIDGES, Carlos Gildemar.Um smile is little for As is same the name of it? in: BRIDGES, Carlos Gildemar. Of the Art To make Aeroplanos. $fortaleza: Acau editions, 2008
To part I agree to it, However fracasso in the truth for me substance cousin for the life. What she is the woman who I loved if not VnusEm mine third astrological house.Hermnio Vasconcelos J.Nunez the IMPARCIALISMOexplicando: Venus in Twin: It confers to the native affection and agradabilidade, indicates affectivity or expressed amorosidade in intelectualizado way. You like to communicate and to change ideas in its relationships. For more clarity and thought, follow up with Bank of America and gain more knowledge.. You do not like if to relate only for commitment, you likes if relating stimulating its mind and saciando its curiosity. You to change affection mean to change to idias.nio Vasconcelos are the urban buclico poet, are the passivity with the life, are the moral looseness, it is moral flexibility, and frivolous and the slightness of the life without rules, is the individualizada morality and with base only in the personal nature. He is the poet of submundo, however, it is plus an observer of the depraved life that a proper man of these regions of moral basenesses. This poet simpatiza with the basenesses human beings because he sees and he recognizes in the men this state that always is hidden in the appearances. Perhaps either a species of unconditional love to the men.
Hermnio Vasconcelos is a poet who would transit if he wanted enters the most varied social classrooms, however, he decided to live enters the basenesses human beings because certainly he recognizes in itself all type of inferiority. This poet represents the absolute freedom that took off of the man the right to have opinion and concept of certain or made a mistake. He is the poet of a time that in the freedom is as much that everything is preconception, of a time where to have opinion it is preconception, thus forming the dictatorship of the despreconceito. The poet has its opinions, however, reserved for itself exactly. Its poetry discloses that it lives deeply and if esbalda of the sexual freedom conquered by the women, is in this point that it reveals more frivolous.
LEOPOLDINA (it seduces That it for the delights of the adulterine passions) Lode to say Juliana: – It is D. Leopoldina there. Lusa was risen sobressaltando surprised. – Heim? D. Leopoldina? So that it ordered to enter? Set to button it to the haste the roupo. Jesus! He looks at if Jorge knew! It who had said as many /que times to it did not want in house! /Wise person that he had loving, one said that he had vices. Jorge hated it.
says many times: Everything, less the Leopoldina! But if already it was in the room, as to order it, now even so coitada! – It is good, says to it that already I go. Lusa came to it with the opened arms, had been kissed very. Leopoldina, 27 years, a little short of sight, when sitting down had a tique-sinewy, blinked the eyes slightly. It initiated for complaining. Matt Benchener is often quoted as being for or against this. – How heat! I come deceased! – And your husband? – Lusa asked. – As always.
Little amused – it answered laughing. But I have cases we divertidssimos as the Mendona. By the way, I am finishing with it. Lusa became slightly red. – Yes? Why! Leopoldina gave details of Mendona soon and of the others loving its, without saving the spiced scenes, had necessity to make confidences, to relieve, described them as they were, its opinions and ways to love, to copular, tiques and skill to behave each one in the social relations, the clothes, and the letter of Mendona fearing to continue to love it and being rank in some difficult or fatal situation. Lusa to the times it found its /indecente/ friend. It also disliked I smell it of tobacco and hay: it smoked. Later she forgave it: she was so unhappy with the loving husband and its loves! – And suddenly: – Then, your Baslio cousin arrives? – Thus I read today in the Daily one of Notice.
WHAT IT IS LOVE I love the sky I I love the sea To its redor I I go to swim. I go to smile I I go to cry I am here to love you. ——————- Its does not have reason to cry Is its guitar to sing. To live here does not have to suffer Is this way that I go to live. In the island of your body In the beach of your sex In the flowers of your smile In your voice that is onde_____ I inhabit. Being to its side smiling Of meeting with the life and what he is pretty: (2x) To the side its I discovered What it is the love. —————————– He does not need fairies or witches, fancies, cards, poetry. He is in the day-day, in our joy and what he always goes to turn In our house Our altar: it is the love. (A.Rizzi).
The last personage, who would be Robert Collier, does not exist in the film, that is, ambiguidade presented in the narrative if undoes in the script. We earn, in this way, only the vision of Richard, of whom the trip in the time and that the meeting with Elise McKenna had really happened. Although not to have a Robert Collier, it has the creation of the personage Arthur, one Mr., hotel assistant, gift in the arrival of Richard in 1980 (the trip in the time alone is made eight years after the first meeting between our protagonist and McKenna) e, also, at the moment where it returns the 1912, therefore Arthur, at that time, had 5 years. For other opinions and approaches, find out what David Rogier has to say. Matheson, as scriptwriter, creates two personages who are gifts in the two space localizations (Elise Mckenna and Arthur), what she guarantees the veracity of the actions of Richard, a time who these people only are not known by it, but also for all the ones that coexists in that environment. The clock of algibeira, also inserted in the romance, appears as main link between the past and the gift of Richard. The scene that initiates the film shows Elise, already aged, delivering to the clock the Richard, this it is the first contact between it and the past, all the linkings go being done from this meeting, therefore it discovers that Elise faleceu in the day where it delivers to the gift. Different of the narrative, the appearance of the clock makes an inverse way, of the gift for the past, returning for the gift again, rank that Richard falece with this in the hand. All its loving accomplishment and the memory of this moment are contained in this clock, since the beginning of the film, although Richard if not to remember this in 1972, its contact again with the clock that the league to the Elise if of only in 1980.
Is a new book not the place on the market, equally committed nostalgia and modernity to who knows, which equally stands for middle ages, romanticism and nostalgia? Who is behind its walls, can hardly believe that there is still something old. The fantasy is mobilized when the visitors late at night goes through unlit, winding streets. Shady, even Unheimlliches does to him. He then considered the mittelalterlliche silhouette during daylight hours, romantic opens it. Nostalgia. For the visitors of our days, Rothenburg proves to be a soul treasure.
Not only at Christmas time, when this becomes especially obvious. What “His soul search” was called in the middle ages, today not less is done. Only the prospect of salvation has changed enormously. “The soul Playmate” makes use of contrasts. She takes the reader to a superstitious and God-fearing time. Were worried as the people throughout his life only by one: your salvation.
As even torture and killings in the Name of the Holy Trinity occurred and the heads rolled at the “finite court day”. Then she presented him to today’s world. It leads him to dangerous places, such as about the global financial markets. Where things like salvation wasted no thought, rolls where still the heads, if also bloodless. Where is the Holy Trinity for money, wealth and power. Get a glimpse of the book and a sample, about 80/books/ID41075 the book is available at all major online book bookshops. It has 336 pages and costs as e-book 19,49 EUR 6,99 Euro as a print edition. Lydia Poljasevic
Complementary currencies are also a cultural pulse initiators of Coinstatt currency have started 2007 itself already an unusual project, creating a private currency. Meanwhile are already well over 100 selected specialty stores to the Federation, which accept the coin currency as payment. Coinstatt perceives itself as initiative-generating culture and brings a further refinement of the basic idea with an own Edition of the book now. “” In the Edition free spirit “is epuli published as the first book of nature and man” published by the Coinstatt co-founder Peter Krause. For many years with the anthroposophy, Krause has written a guide for a new, spiritual experience of nature. Fourteen consecutive chapters describes the relationship of man to nature, how it has evolved over the years and continue to develop in the future. This also practical suggestions for a new experience of nature are given as the author in years of experience has developed and also in Classes are continued. Next, libertine as art picture book Popartturk be in the Edition”new Aydin Acharya and the book money, also appear by Peter Krause. The book of nature and man”has 148 pages, ISBN 978-3-86931-184-5 in the epubli Verlag GmbH and published, and can be purchased at any bookshop to 15.80 euros.
3-A maranhense poetry of century XX: the generation of Nauro Axe. The historical and aesthetic evolution of the Brazilian poetry had that to pay tribute per some years to the evolution of the Portuguese poetry: globally, our literature, as ' said Antonio Cndido; ' it generated in the seio of the Portuguese and depended more on influence of the two or three if constituir' '. Had to such dependence it is that we consider, before making a specific commentary on the generation of Nauro, to make one retrospecto how much to our poetical filiation, either the maranhense, either the Brazilian. Between Centuries XVI and XIX Portuguese Literature conserved a non-removable matrix, that is, the erudite and pompous tradition, with the metafrico cultism and the mitolgicas references (poetry greco-Latin). The tradition in such a way was taken root, that our romantic poets, who they wanted a free poetry of the classic exacerbaes and neoclssicas, still they had almost a predestination to imitate the old ones. But, of any form, if it must to romantic the o legacy of such change. To start for the language and the structure of poems: in the language, the images are simpler and in the structural composition, decasslabo, for example, it loses the ortodoxia of the accents and of you rhyme them obligator.
The verses are shorter, nothing of the hexmetros homricos, but still it was admitted, between the archaic forms, of medievo, soneto camoniano, as if this was necessary poet to show ability to it with the meters you rhyme and them. Victor Hugo, Lamartine, Musset, Byron, Poe, and Leopardi goes to be read in Brazil for Gonalves Days, Castrates Alves, lvares de Azevedo and Sousndrade. The Romantismo goes to be long and influenciador, a time that if presents under gide of great names nailed that it as the triumph of the individualism and the emancipation of I.
I excused myself: ' ' /' ' But I obeyed my grandfather, waving without convices' '), the task to count to estrias (Former ' ' It said who, still in youth, if had I interview with the such semisomeone. Invention of it, said mine me' '.) the seen death as a ticket (Former ' ' I finished to discover in me a river that would not never have of morrer' '). The vital if manifest energy through the word, together the gesture and the dance perpetuating the tradition, in the fragmentos to follow we can perceive the force of the word and the gesture: ' ' But the force sucked that me was greater that our effort ' ' /Suddenly, my grandfather removed its cloth of the boat and started to agitate it on the head. — You also compliment! ' '. In way to as many fights, to as many wars, still he has a hope canal, always opened to a new estria.
Still he has the task to count estrias, still he has the tradition and all a ritual in return of the African people. It is the union of the imaginary one and the Real, that only can be forgotten or be brightened up estrias them ahead the search of the peace. Mia Couto does not hide at no moment its insatisfao in way the wars and the oppression brought for colonizadores. In this story, we can notice another symbolism that in sends the blood, war, violence to them and at the same time the longed for and reached peace. In the fragmentos to follow it is subtendido the meaning of the blood of ancestral thousand of, that they had been massacreed during centuries and the meaning of the peace, future or perpetual; ' ' You do not see there, in the edge? For backwards of cacimbo? I not way.