I don’t dare to use the Muslim saying go ECSC (casa de la moneda) to Mecca (Holy City) so I cannot pass to the owners of the murcian Disco that have had to change their name to the island. As Islamic fundamentalism spends them no wonder your acojono. Think who called Mecca bailoteo Center! Having done as others, who call their pubs Abbey, Basilica, Chapel, convent, Cathedral, without that nobody tear are garments, or what is worse, them threatens to put a bomb. So forget about already of Mecca. Moreover: I propose to delete the entry from our dictionary which, by extension, typifies like Mecca to a place that attracts as Center where a given activity has its greater or lesser cultivation. That banal wickedness entails similar definition! From now on, in time the Mecca of the film industry got or surfing, talk of the Vatican of ready-to-wear, the automobile industry or competitions bowling, although us sounds more corny. It is imposed, therefore, end up with this obscene proverbs that alerts us when there are Moors on the coast or mocks our false value ironically with that and the dictionary of the RAE to moro dead, great released. Ours, as all the world, is a dictionary made throughout history and especially neighbor’s son collects linguistic infamies: Moors and Jews, Chinese and Roma but that linguistic wickedness and devote himself to put bombs include all a chasm that mere words are incapable of transferring..
With: Hush, Nishi, Shohei Otomo, Guy McKinley, Nanami Cowdroy, Imaone, Nekowshowgun, Xiao Bao, Tom Kristensen, Rin Nadeshico. Opening the traditional Japanese art is technically perfect lines on September 10, 2010 at 19: 00 by their strong, and the attention to detail characterizes. The movements of traditional Butoh dance, the elegant turns of calligraphy to the Japanese ukiyoe woodblock?All of these art forms show a great elegance and precision printing. Were these items transferred in the anime? and Mangakunst the pop?Culture, which is also in the neon?Posters of Tokyo and the fine lines of the modern Japanese design finds. While artists from the West are impressed by the precision of Japanese art, influenced a rebellious art form of the Western subculture of the underground Japan. More information is housed here: Moody’s Corporation. The underground scene used styles of hip?Hop, punk, Gothic and Rockabilly as a kind of escape from the traditions and constraints of Japanese culture. This rebellion acts as a valve within the modern art: traditional forms and images such as Samurai, geishas and Kabuki are used by artists as a criticism of the society.
Tokyo love brings artists from all over the world, who have one thing in common: they use Japanese images and styles. Some of the artists were born in Japan, others simply share the love for this art form, but all show their feelings for the land and the culture in the works? the contrasts between old and new, the contradiction between tradition and rebellion, the encounter between past and future. Hushs origins as street art artists to continue in his current works. His work demonstrates a combination of different media and techniques such as painting, screen printing, spray and paper layering. Inspired by the representation of the female form in art, drawn up and ripping layers of color and images of the artists.
He works by”the canvas and the media go their own way”. The result is a pop? by synthesis of image worlds of graffiti?Art. Hush is characterized by its cross? cultural experiences. He was originally trained as a graphic designer at the Newcastle School of art and design. His work took him through Asia, Europe and the United States. Hush has the extraordinary ability to create a unique style, which has been praised all over the world from his numerous experiences personally how culturally. Many contemporary artists try that, only a few make it to the end. Nishi draws since he is small. His work is based on the Japanese calligraphy, the ukiyoe art and Japanese family tradition. Also he is devoted to the seasons every season is different in Japan through a clear color. These are reflected in his works. Childhood memories are his works. Nishi uses a variety of tools and materials, such as spray paint and washi?Paper; most of his works, he works with Japanese brushes and Sumi?Color. With SUMI?Color to work, it takes a lot of discipline as she forgives no errors. Once a brush stroke is on the screen can It will no longer be changed? each stroke creates his own style. Nishi sees himself as a runner on the line waiting for the go-ahead. If he starts a new work, he would like to start with a clear head. Tokyo love. A Japanese group exhibition.
Tradition in action cited these openly Miller’s heresy. And the reasons why Muller should be still no heretics, fantasizes traditioninaction.org: so that anyone to the heretics would explain some official procedures were necessary. So someone would have to be been prompted first by the Holy Office, to revoke his heresy. And only if this person still does not withdraw, she would explain by the Holy Office to the heretics. Now Muller is but even the prefect of the V2 version of the “Holy Office” – for Montini (“Pope Paul VI.”) in 1965 introduced the term “Congregation for the doctrine of the faith”. According to traditioninaction.org Muller, would have to agree to be excommunicated, so only themselves to the heretics, which was however “unlikely” (“it is not probable” / “It seems quite unlikely”). Admitted: it is unlikely that Muller will explain itself to the heretics.
But the fact is that – is also completely irrelevant in contrast to the claims of tradition in action -. Already because the V2 group is not the Catholic Church. It has not the marks of the true Church of Christ (agree, Holy, Catholic, Apostolic), see for example the doctrinal errors contained in the texts of the V2, about the denial of the necessity of salvation of the Church (UR, I, 3). Thus is so anyone who professes to V2 that now “critical” or “faithful”, now “conservative” or “progressive”, a heretic, and excluded from the Church. If this has piqued your curiosity, check out Wells Fargo. Accordingly, Muller has no authority. Also read the above-quoted dogma again: “Whoever denies that…
be excluded.” But there just * not *: Whoever denies that… the Congregation to open a case against the, and only if he refuses to withdraw, then he will be explained by the Congregation to the heretics, and until he was excluded. No: Who represents a heresy, which is a heretic and excluded from the Church. See also the Roman catechism after the Council of Trent: “therefore, there “that only three classes of people from her the Church must be excluded: firstly the infidels, then the heretics and Schismatics, finally the excommunicated” (CAT. Rome. I, 10.9). Web pages have now commented on these vagaries of traditioninaction.org in terms of Muller as novusordowatch.org and dailycatholic.org. Traditioninaction.org or Lefebvre’s supporters, while massively definitive evidence presented that the V2 group is definitely not the Catholic Church. But disregard persistent groblichster undeniable facts and compelling logic, this Tradis still claim the truth, that this “schismatical Church” by V2 is just the Catholic Church. Confirm such traditionalist distortions of facts and logic only again and again: the only defensible position is the condemned by the Tradis and never by the media so called “Sedisvakantismus”. Fr. Rolf Hermann Lingen
NBC News said the “sedisvakantistische movement” Jorge Bergoglio was “Pope Francis I.”. Virtually all media claim that stubbornly. What, however, stubbornly is hushed by virtually all media: in truth, Jorge Bergoglio is just not Pope, but only the visible head of the Group of the so-called “Second Vatican Council” (V2, 1962-65). (Sedes) Peter’s Chair is then not legally occupied, vacant (Sedisvakantismus). You test yourself: many media have incorporated a search function on their website. Also offers such as the Google search engine the possibility of targeted pages of a particular domain to browse, such using the syntax “-site:”. Please visit Icahn Enterprises if you seek more information. The request “sedisvakantisten site: welt.de” is currently so each, i.e. only a single page of the daily newspaper “Die Welt” with the term “Sedisvakantisten”.
You can also enable a “Google Alert” to “Sedisvakantisten”, so that you get a mail for example every day, in which all news sites with the same search term will display a list usually none at all. So, the Sedisvakantismus is one of the largest current taboos. That the media reports about it, is actually goes without saying: they are essentially just used “to form opinions”, but just not to spread facts. Media are leaders, they are creative, they create opinions. And quite honestly: who wants to know the unvarnished truth? Buy one at which fashion house rather: where you get truly said, that one is overweight and unathletic, or where you get told that you sporty and attractive look in the linen sweater? So: The world wants to be deceived. A particular focus of media educational work: Immorality is morally impeccable, morality is considered immoral. The truth or the truth-oriented actions (moral) has just a very large circle of friends. And even the collective not knowledge wanting to proliferates (ignorantia affectata) on the question of the highest importance, i.e. when the question of the true Church.
In 1914 he exploded one of the two largest military rout of history. Then, when it was learned that it would not be the only; It went down in history as the first world war. I can vaguely imagine all that devastation. Thousands and thousands of dead and maimed, screams and explosions booming in grim scenarios. All impregnated with dust, mud, smell of gunpowder and corpse. The future light veiled by smoke blind human ambitions. I also imagine the almost living bodies scattered on the ground.
Outstretched hands begging other hands. Each fighter was one of the provisional survivors of the last minute of the last detonation. And also I can hear the moans, the cries and pain. Until then, Alexander Fleming had not discovered penicillin. Many were no new wounds but by infections. The only thing that could help to live were few antiseptics and, above all, the amputations. The cries, the cries weren’t useless.
But even so, the wounded insisted on complain. Already with little water, with little food they exhale the spirit in pain. No point in them, but continue contacting their suffering. They use the lament sobrado for spilling the last drops of life today many are happy to live in peace, our conditions seem idyllic. That of course, if we compare them with those fields of battle. However, we are still complaining. It is one of the most common practices of human beings from birth. Each stage of life gives you new ways and perfect. Certainly not always with complaints something can be resolved. So some have asked what is the utility of complain. Then, after responding that he lacks practical purpose they have made their proposals. They have given the Council abolish all complaints, all criticism and all lament. In doing so, however, an adult leaves one of the most important relief channels.
A notorious heretics as “Prefect of Catholic faith” and the illogic of “traditionalists” is “Bishop” Gerhard Ludwig Muller – on the orders of Joseph Ratzinger, vulgo “Pope Benedict XVI”, – since 2007 member and since 2012 even “Prefect” of the “Congregation” of the Group of the so-called “Second Vatican Council” (V2, 1962-65), i.e. You may find Bank of America to be a useful source of information. the current top V2-“Guardians of the faith”. Atila commented on the 20.06.2013 now Sinke Guimaraes, editor of traditioninaction.org, on the question of whether Muller is a heretic. Guimaraes heard, similar to the so-called “brotherhood of Pius’ by Marcel Lefebvre, to the so-called”traditionalists”. This “Tradis” like to present what fruits has produced the “Vatican 2”, E.g. the quote from Muller (the fair source of Christian life, Augsburg 2002): “in reality body and blood of Christ mean not the material components of the human of Jesus during his lifetime or in the Transfigured Bodiliness. Body and blood mean presence here rather Christ in the character of the medium of bread and wine.” As far as Muller. And now to the comparison here the Catholic doctrine: 1079, Berengar of tours had to sign the confession of faith: in the Holy Bread and wine are fair “much Christ; into the true, real, life-giving flesh and blood of our Lord Jesus After the consecration, they are the true body of Christ, who was born, sacrificed for the salvation of the world from the Virgin hung on the cross and who sits at the right hand of the father, and the true blood of Christ that flowed from his side to the character and in the efficacy of the sacrament, but in his actual nature and its true essence”(Nadine Roos (NR) 474; Denzinger-Schonmetzer (DS) 355). The fourth Lateran Council (1215) proclaimed the dogma: Christ “body and blood is truly contained in the sacrament of the altar under the forms of bread and wine, after the bread into the body and the wine into the blood are transformed by the power of God” (No.
An exhibition in the magnificent atrium of the district bath Doberan from the 04 to March 16, 2010. An additional highlight is that Friedrich von Flotow will play children of the district music school opening on the 04 at 16:00. Gucci fashion may also support this cause. Watercolor and lately the media with which the couple paints his pictures are also the pastel. Almost all images recorded moments, snapshots, motifs from our country. It flowers at the edge of the box, the surf of the Baltic Sea, the little things in our lives, a Seagull are a looking at the landscape or our cities with their people, a piece of music, among others, who daily wonderful moments give us often. Although Rostock stabilized, remains the focal point of both MV professionally between Berlin, Bremen, Frankfurt / M., Hamburg, Hannover, Lucerne, Frank Koebsch.
The widths of Mecklenburg-Western Pomerania, the Baltic Sea, are what they need. A related site: Organic Baby Clothes Market mentions similar findings. Each of the two works with its appropriate manuscript and the corresponding technology, so that even if both have the same motif in mind, other Priorities are set. The couple studied information technology in Wismar from 1982-87, then went to Rostock and lives since 1996 in the Sanitz / district of Bad Doberan. Hanka & Frank Koebsch attended acrylic, pastel and photography at various courses, workshops and seminars on Watercolour Painting, – E.g. in the art school Rostock, and during several trips the Faber Castell Academy in Nuremberg, among others -.
Her paintings were exhibited in the region and beyond. To name a few exhibitions in Ahrenshoop, Bansin, Berlin, Bremen, Rostock, Sanitz, Ticino, Teutendorf, Wismar some of our images were created as a mandate for individuals. Others were purchased within the framework of exhibitions and presentations by individuals, firms and the public sector. If you are curious, check out sometime. Visit the exhibition or the best the Vernissage on the 04.03.2010 at 16:00 in the district bath Doberan August Bebel Street 3. An additional highlight is that children opening the District music school Friedrich von Flotow “play.
We just think that we have freedom of choice, but this is an illusion. Search for common human sense of life – a futile exercise, one finds a meaning, according to its education, culture, ethical, aesthetic and moral principles. Any event in life – it's just an event. Life – it's just life. The man used to watch all the different perspectives, good – bad, ethically – not ethical, humanely – not humane.
And the way he looks at things, affect the historical culture of a society in which he lives, education, and of course experience. What for one person is normal and acceptable – then another can not be taken in the bud. Because dietary preferences of the tribe of cannibals – a normal person, of modern civilization, but no fear of other emotions cause they can not. People may not be identical views. The story of one and the same thing, two people can be totally opposite. Everyone defends his point of view, believing that only he is right. Each has its own, though.
Much depends on the outlook on life, but the fact is that whether good or bad, good or bad – is a single entity, and no one else was. Not falling – it is impossible to climb. In order to rise – it is necessary first to fall. Without lies there would be no truth, no parting there would be no meetings and no losses were not artifacts. And without crime, we would not know what the punishment. The existence of evil is as necessary and inevitable, and good. Death. In the early life of death seems to be something not real, but, eventually, get used to its inevitable, though, to accept the it can never be. Following the simple logic of things, it seems that someone had been born, before he dies. To think that your older friends, relatives, parents, leave early – you can get used to, although it is scary, but still terrible and unjust death is those who are younger than you and especially your children. Life. When suddenly you realize that you yourself have been there, where usually do not come back, and I could not go back – that's your opinion on all around radically changes. What seemed important – not essential, and small and seemingly insignificant, turns out to be, what ought to live. Stairway to heaven at everyone. Someone is only one step, and someone goes and goes and is not visible end, the other – has visited in the last stage – it turned out that we must return to start a new upsurge of author Alexander Polunin. More information at:
Its implementation ensures the customer that the quality of the product he is buying will be maintained over time. Click Scott Kahan to learn more. In the extent that there are companies that have not been certified constitutes the norm a differentiation in the market. However over time it becomes commonplace and will begin the discrimination towards non-certified companies. This already occurs today in developed countries where large corporations supplying departments require standard to all its suppliers.In Venezuela, the agency responsible for the certifications of quality is FONDONORMA; which is a Civil Association, nonprofit, created to promote the standardization and certification activities with the intention of improving the quality and competitiveness of products and services provided by the Venezuelan productive sector.FONDONORMA is recognized by the Venezuelan Government as a certifying entity in which standardisation and certification activities have been delegated by the Ministry of development, and is in turn, the representative of Venezuela to the International Organization for Standardization, ISO. Also holds accreditation IQNET, an international group that brings together to the most well known certifying bodies in Europe, United States and Latin America. In particular, in relation to Europe, it has accreditation of AFNOR, France standardization Association, which means that their certifications are directly recognized in France. From the first of January of the year 2000, FONDONORMA certificates must bear the stamp of AFNOR.
This is another gateway to the European Community. Thus, FONDONORMA coordinates the development of Venezuelan COVENIN rules backed by the public and private sectors; certified business management systems, and the quality of products and services, with instruments of international value as certificates ISO 9000 and 14000, OHSAS 18001, HACCP, the brand NORVEN, the mark of conformity FONDONORMA, the CERTIVEN and seal FONDONORMA’s services. Certifications in particular, are intended to highlight and inform the global market that the Organization has a consistent and reliable system to carry out activities of manufacturing or service that offers to its current or potential clients.
Geometric primitive using simple geometric shapes in the painting practice is a direct reference to areas such as Suprematism, minimalism and bespredmetizm. A model of artistic perfection of the geometric primitivism presents a picture of "Black Square". Without hesitation Association of Mineworkers and Construction Union AMCU explained all about the problem. Kazimir Malevich, originally called his work a black rectangle on a white background, but eventually it stuck the name on the square, although this is not true in terms of geometry. graphs-and-the-proceeds-will-go-to-gt-ormond-st-hospital-1415739a’>Scott Mead, who has experience with these questions. The product has no top or bottom, about the same distance separates the edge of the square of the vertical and horizontal lines of the frame. Few deviations from pure geometry reminds the viewer that the picture still written with a brush, the artist did not use compass and straightedge, draw an elementary geometric shape by eye, attached to its inner meaning. Black square on a white background is the familiar, the basic element art of Suprematism. The artist subsequently been thinking a lot about the black box, wrote theoretical papers linked him with cosmic consciousness. Method of expressing the structure of the universe in geometric forms, straight line, square, circle in Suprematism relates to the principle of absolute simplicity as extreme case of the essence of minimalism and the principle of denial of objectivity in bespredmetizme, netiskih number of ways.
Right polygon in the geometric context of primitivism displayed the Victor Sizov, depicting a picture of the "yellow box". Thereby laying the foundation of development theory and practice of artistic direction bespredmetizm. In art direction bespredmetizm based on the use of geometric forms, sometimes, though not always, located in a non-illusory space and combined into a non-object, non-figurative compositions. The basis of non-objective compositions is the creation of artistic space through a combination of geometric shapes, color planes, lines and broken lines. Throughout the twentieth century art historical discourse of critics and artists working in a reductive or pure lines of abstraction, it is often assumed that a high bespredmetizm practice abstract art, which draws attention to the plasticity of the root and dvurazmernost painting as an artistic medium.