The Philosopher Ludwig Wittgenstein

Philo sophos portrait: Ludwig Wittgenstein briefly and concisely the logical investigations, published 1953 shortly after Wittgenstein’s death to express, that the thoughts of the Tractatus, with which it had brought Wittgenstein as 30 years to fame and recognition, have no stock. What are the basic ideas of the two works? The philosophy after Hegel dispenses with every system requirement. Philosophy is not systematic in the sense that it provides a child whole responses with the claim to have made true and definitive statements about the reality. This applies in particular to Wittgenstein, who once described his own philosophy as a lot of landscape sketches. However, also Wittgenstein’s philosophical thinking has a character that identifies the unit and the essence of this thinking.

A first reason this character is in a negative notion of philosophy. Everything is in the philosophy, is what it takes to win, thus obtained, that we our minds at last of all Confusion, release that we bring clarity in our terms. Mina Nada oftentimes addresses this issue. The clear and distinct knowledge of mind is always been postulated since Descartes, but really seriously made it after Wittgenstein does not. Not and so we are at the second trait of Wittgenstein’s thought, because never the correct Denkweg is beaten up. The way of thinking is a reflection along the language after Wittgenstein.

Misinterpretations and fictions of language led philosophers to false beliefs about the objects, with an exquisite misinterpretation it is essentialist understanding of the language. A mindset is referred to as, which adopts a fixed meaning and a corresponding object behind every word. Wittgenstein’s philosophy is the philosophy of language, and as such a strict counter position to all Platonic forms of thought. Wittgenstein is a deeply honest thinker, honest himself. You can tell immediately if you read his books, you can see that and others but also because he leaves two major works, what the second completely refutes the first.

The Diversity

The ability to calculate the sum of the angles of a triangle is part of a theory in the same way human Knowledge such as the ability to bring the characteristics of good governance or a righteous Act on a term. The question significantly advanced in this way had necessary lead to a changed understanding of the nature and value of the education of of concept of for Plato. In particular Plato could not hidden stay that the deductive derived terms of mathematics are much different their origin, and its meaning as the Socratic principles extracted from the experience and perception inductively. Plato held on to the idea of a unified theory of human cognition and drew the conclusion that the principles of practical knowledge are different from the experience, and can not be abstracted out of her. Terms such as good or bad, just or unjust may each prompted by the experience, however it is basic and its contents not finished and completely in the experience of the individual nor in its entirety.

The practical concept formation is not a mere abstraction process by the Individual to the General. The notions of practical knowledge education be found rather independently of human reason, perhaps on occasion, and for the purpose of the experience, but in its origin there are common sense terms. Just as the term triangle a concept of reason is not formed from repeated perception of triangular shapes, but automatically found, what the practically proven knowledge of geometry bear witness. What we imagine with our general ideas is to overtake never completely in the experience. Our ideas are much waste.

They behave towards the diversity of the experimental given as ideal. The idea is found not in the experience, but only her. The concept and education of idea of is no mere process of the Zergliederns of perceptions, not mere analysis, but a kind of together looking intuition, a productive synthesis of mind.

The Protagonists

And therein lies the great success of the ladies, who have now surpassed the 500 probably. In the limit of a block of Linden, two legs, which celebrates this pedestal Footless adult Fiand forever a stereotype, converts rather with unlimited Fantasy, with glucksender joy of forms, colors, details and accessories to fifty centimeters of height wood a theme repeatedly with largest sculptural desire so that it is never brittle, never a dull moment. Here she shines with great knowledge of Anatomy and handles in the art box with moments like stand and free leg, also with citations in the rich world of product placement, advertising, symbols, pictograms or diversity of advertising logos. The salt in the artistic finesse soup of Fiands – and I love this wood Unlebewesen especially for it – is the sophistication of the faces. Facial expression suggests gestures, which is also, by far, and it is the sheer joy, (and unlike you can in the meantime do not call it) to see such a group “Edekas” in the face.

With a few, then again many sections in the soft lime Fiand breathes authenticity her ladies, so, as should they alive – pinocchiogleich – wake up and start trudging, were not fused with this infamous wooden block. The Protagonists of the village shopping Eldorado pout, smile, seduce, bursting with rage, here and these there are introspective, addicted to buying, realistic, very realistic, full of life, they are full of energy and exhausted at the end of the group. Nix, what is not there. Almost the same city. And all of that through the power of Fiands, differently to draw – in this case with the carving knife to distribute life, are as different as we as human beings.

A schema that is never schematic, so lovingly working the artist that it transported never severe, but the ease and joy that saves over the artist of the first look at the load up to the last movement of the carving and the “final varnish” in the make-up of the little treasure. The development of the first button eye women with tiny mouthfuls, (of which, in addition to the many others, even two in my collection I have: gallery owners are also only people who cannot resist the temptation) to the current sculptures shows the skills, the The professionalism with which the artist to record their observations in the timber is capable. Not only the courses that keeps them themselves, but also taking it, give her the security to take portrait orders, knowing full well that the delivered order with great satisfaction of the portrayed is accepted. When all the hundreds “Edekas” – are just the “normal” women, capacity to open our hearts in their simplicity, which is but yet so individually, in addition to the different characters, such as the kid who kept the bag, the Bernese mountain dog, the Lady in the wheelchair or the elders in traditional dress (in the break in style with the adidas bag) -. Because they create space for associations: “time, which sees look like Aunt Erna” or “That looks like Grandma”! Laughter and joy can sometimes give art. Here, there is always something new to discover, to marvel. So the project has become ‘100 Edeka women’, which means only “Edeka women”, a great success: all previously shown, so a new home, far away from found lovely sculptures of the Edeka and Atelier. The ones you see here are just to have, then they’re gone. Understand you can’s Michael Marius marks


Two young women and the old theme of death the company conVela culture of remembrance remembrance jewelry and grave side dishes offered and discovered the banality of death by the way. The young founders of Juliane Uhl and Stefanie often Geffarth can well live to deal constantly with the dying. In all newspapers and magazines, reports and films, the subject of death was found in November. It goes to funeral expenses, problems of anonymous burials and the testimony of a society that meets them in (not) dealing with their dead. Be heard funeral home, chaplain, Hospice staff and psychologists; the experts are those who deal daily with the parties concerned. ConVela thinks the young company: the Enttabuisierung of the theme of death can not only there take place where directly helping those affected.

When talking about the death at the same time with the thoughts of a forthcoming or the own funeral and the charge to the company is connected, not good to deal enough with the own dead, a discussion is rather tough, dead. What it takes is vibrancy in death”says Juliane Uhl. And to generate this vitality through open discussions, through honest words, which are exempt from poetic images and the pressures of political correctness. Juliane Uhl and Stefanie Hanswille Geffarth, who founded the company conVela culture of remembrance in the summer of 2011, started with the idea to create something for the survivors. Memorabilia, modern grave goods, and new places of remembrance, which can take some of their horror of nameless burial are created.

Jewelry that is marked with the handwriting of the deceased and finds its place after the period of mourning in a dwelling, expresses the sadness and allows the bereaved to complete. From the initial ideas a vision of cultural memory is now to the material design, which daily feeds. Everyone has something to the topic of death to say everyone has fears and desires when it comes to your own death or a close family member. The interaction of an artist with experience in marketing and a strong contact sociologist is a dynamic and modern company structure with a fixed base. Will communicate this on all channels: relevant topics will be published on Facebook and discussed in a blog, there are opinions to articles about the life and death soon, articles are written, the Partnerakquise takes place to a large extent on the XING network. At conVela, not just pieces of jewelry are sold, because society is discussed, since culture is thought. Juliane Uhl (conVela GbR)